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L'homme à l'Hispano
A borrowed motorcar, a borrowed life, and a bill that comes due.
What
A French affiche of 1926 for Julien Duvivier's L'homme à l'Hispano, drawn by the poster artist Armand Rapeño.
Why
The Hispano-Suiza was the interwar French emblem of money one might not actually have, and the film turns a borrowed car into a study of social bluff. It is early Duvivier, a decade before he became one of the defining directors of poetic realism.
Notice
The car is given more graphic weight than any figure — the machine is the film's real protagonist and the poster admits it.
“The twenties selling their own glamour, and quietly pricing it.”
Format
The full-resolution, color-managed file — restored honestly, yours to print and keep.
Sized to protect print quality — this scan supports sizes up to 18x24" cleanly.
Size
$29.00
Provenance
- Film
- L'homme à l'Hispano (1926), dir. Julien Duvivier
- Country / studio
- France
- Designer
- Armand Rapeño
- Format
- One-sheet (27 × 41 in.)
- Poster published
- French affiche, 1926
- Source
- Wikimedia Commons
Conservation note
Print produced from an AI-enhanced upscale (≈2.6×) of the surviving archival scan (original 466×643px). The upscale raises resolution only — the design is unaltered, and the paper’s folds and age are the artifact’s own.
Rights: CLEAR. Public domain — U.S. 95-year rule (poster published 1930 or earlier). Gated by the poster’s own publication year, never the film’s. Cleared by registry on 2026-07-18.
From The French Screen
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The Double Bill
Two one-sheets, hung as a pair — a double feature for your wall, at a pairing price of $270.00 for the two. Build one from any two one-sheets in the gallery.
Pair it in the gallery →A house of the Provenance family