Everywhere Else At Once · 1913–1930 · Italy · Scandinavia · Japan · Central Europe
The World Screen
The silent era did not happen in four countries.
Rome had its divas and its thousand-extra epics; Stockholm and Copenhagen had landscapes that acted; Tokyo, Warsaw, Prague and Budapest had houses of their own. Cinema arrived nearly everywhere at once, and everywhere the local printers answered it in their own hand. This is the rest of the world’s paper.
Cabiria
Cabiria · 1914 · Leopoldo Metlicovitz
La Comedia Divina — Infierno
L'Inferno · 1911
Satana — Ambrosio lobby card
Satana · 1912
Le avventure straordinarissime di Saturnino Farandola
Le avventure straordinarissime di Saturnino Farandola · 1913 · Albert Robida
Invidia
Invidia · 1919 · Carlo Nicco
Lussuria
Lussuria · 1919 · Carlo Nicco
Superbia
Superbia · 1919 · Carlo Nicco
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Fänrik Ståls sägner
Fänrik Ståls sägner · 1926 · Eric Rohman
Ved Fængslets Port
Ved Fængslets Port · 1911
Morfinisten
Morfinisten · 1911
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Les mystères de Paris — Vienna sheet
Les mystères de Paris · 1922 · Ernst Dryden
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Laster der Menschheit
Laster der Menschheit · 1927 · Mihály Bíró
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Rongyosok
Rongyosok · 1926 · György Nemes
El Automóvil Gris
El automóvil gris · 1919
Loetoeng Kasaroeng
Loetoeng Kasaroeng · 1926
The Manxman
The Manxman · 1929
Streik — Vienna sheet
Streik · 1925 · Mihály Bíró
Mädchenhandel
Mädchenhandel — Eine internationale Gefahr · 1927 · Mihály Bíró
Iwan der Schreckliche — Wiener Uraufführung
Krylya kholopa · 1927 · Mihály Bíró
Filibus — the airship
Filibus · 1915
Filibus — the cat
Filibus · 1915
Filibus — the question mark
Filibus · 1915
L'Italia s'è desta!
L'Italia s'è desta! · 1916
Fior di male
Fior di male · 1915 · Aleandro Terzi
Sumurun
Sumurun · 1921 · Mihály Bíró